Studies done and work:

• Visual Arts in Fine Arts 1966-1970
• Studies with the painter Camilo Isaza 1974-1975
• Bachelor of Arts and Decoration in the Universidad Pontificia Bolivariana 1976
• Master of Fine Arts at the Art Academy and Art as director and owner 1980-2003
• Art tutorials 2000-2008
• At present I am dedicated to the arts and decoration.

My part of the academic painting of impressionism and modernism, without falling into the realism or decorative. Supported by the work of the maestro Esteban Krotz: "field trip and anthropological knowledge," illustration of anthropological symbols. It is a journey and the unknown target where one enters and sinks into the depths of being. It's different. It is a technique in which stands the mystic. Based on the observation of C. Certainty: "rarely specified, it is as a collection of observational data, deep inside a dream, a longing for intimacy." with realistic roots, sinuous wavy lines that give sensuality, rhythm, amplitude and brilliance. Totally ignoring asymmetric organic straight line. Inspired by nature, in water depths of lost cities or flashing the lights do not see. The process of the emancipation of man to get to give proposals and outputs without following the theme of utopia as such blind spots and cracks that we can not see. From the opaque and said Bloch.Uno surprised and shines the light within us to radiate life expectancy. The stand in aluminum foil to incarnate with the outside mixed media: oil, painting, lithography, resins and other metallic pigments to spatulate, giving the appearance of translucent hues of stained glass.
Unpublished paintings, only giving vent to the rich zoomorphic inspiration. Glitz and plant forms, waves, seaweed, swaying reeds swaying in the water without being repetitive, without order, rather in the new style of post-impressionist Liberti, the ease and independence. The different trends and issues not pigeonhole me, gold leaf and silver. Formal stylization and naturalism preside over my work. Abstract forms and designs of prints taken from the external and internal of my being are compositions based on reason, conscience, intention and purpose. Raw sensuality and sensitivity, not calculating or flat matematica.Tintas rhythms, pure color and line. The resin allows me to textures, bubbles and reflections that enrich my work, as the sand grains, not figurative is global.
 
Our soul has a crack that needs to be healed in the depths of being and we need spiritual food to transform and change the way of destruction.

  The paint on the aluminum foil in my work creates a shiny, metallic colors and reflections that give sensuality, movement and freedom are common uplifting leisure in the depths of being. I am inspired by water and air, represented either in seas, lakes, ice and glaciers, along with the reeds, rocks, winds, waves, sand and sunsets. The humidity and heat, the extreme depth and river canyons or caves with stalagmites and stalactites shape my being to receive and give love. I think a solution to contribute to the development and creation of ideas for positive changes occur.

Vulnerability reflects this in my work that is exposed to changes generated by the viewer and the external that embody in my work by participating in it. For this reason I chose this material. My plans are changing and constantly moving. I hope to reflect and also meet the spirit of the viewer.

Exhibitions Made

1966-1970 Collective Fine Arts annual exhibition.

1968 Collective at the University of Antioquia. First prize of motivation

1978-198'0 exhibition at Suramericana de Seguros.

1986 exhibition at the Mayor of Envigado.

1988 exhibition at the governor of Antioquia. Second Prize.

1993 exhibition at the house of Barajas. Black river

2000 Group exhibition Casa de la Cultura de Envigado.

2003 Solo exhibition at the Hotel Corobici in San Jose, Costa Rica.

2007 Group Exhibition in City Mexico.